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Category Archives: Fantasy

Day of Silence flash fiction

SafeMy publisher, Harmony Ink Press, began posting flash fiction from Harmony Ink authors in honor of the Day of Silence on Friday, April 19th.

If you’re not familiar with the Day of Silence, it’s an annual protest that’s been held every year since 1996, when it was started by then-student Maria Pulzetti as a protest against bullying and harassment of LGBT students.  As stated in the wikipedia article, “Students take a day-long ”Vow of silence” to symbolically represent the silencing of LGBT students and their supporters.”

Harmony Ink decided it would be cool to have participating authors write a flash fiction piece symbolizing silence in some way.  Mine was a modified excerpt from the third novel in the Dreams of Fire and Gods trilogy (called Gods), which is still being written.  You can read it by clicking on the image above.

You might ask, “Why did you wait until the 24th to post this, if the Day of Silence was on the 19th?”  Basically, I didn’t post until today because I was at a workshop with my publisher in Chicago over the weekend and between that and traveling, things have just been too chaotic for me.  Also, due to the large number of submissions Harmony Ink received, my story wasn’t put on the website until this afternoon.

I’ll close this post with a picture snapped at the workshop of some of the Harmony Ink authors in attendance:  Me (James Erich, looking like I just stepped out of the shower, because I had), Robbie Michaels, Madison Parker, Nessa Warrin (YA Coordinator), Jamie Mayfield, and Geoff Laughton.

 
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Posted by on April 25, 2013 in Day of Silence, Excerpt, Fantasy, Gay, News, YA

 

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Status update on “Gods” – Book Three of “Dreams of Fire and Gods” (and an excerpt!)

Dreams of Fire and Gods: DreamsGods is coming along, so for those who didn’t like being left hanging at the end of Fire, I’m expecting to have the final novel finished this month!

It’s been a challenging novel to write, though.  I now have four threads weaving back and forth, following Sael, Koreh, Donegh, and a new character, Gonim.  Making sure they all arrive at the end together and everything from the previous two novels wraps up properly has proven to be difficult.  I’ve had to extend my deadline with Harmony Ink a couple times.  But I think the end result will be worth it!  I’m very excited by all the plot twists and character development and I don’t think readers will be disappointed.

So, for everyone waiting anxiously for Book Three, here’s a little taste of it—an excerpt from the beginning of the novel, in which we meet the new viewpoint character, Gonim.  Keep in mind that this isn’t a final polished draft, but I think it’s reasonably presentable.  It’s a bit PG, but I promise that there isn’t any more explicit sex than in the previous two novels.

Prologue

Gonim knew he was dying and he welcomed it.  The young acolyte was burned severely over most of his body, after getting caught in one of the firestorms two days ago, and he was in agony.  A carriage had overturned in an intersection and he had rushed to aid the driver and passengers.  But he’d been too late.  A fireball caught them out in the open and only Gonim had survived—barely. 

Father Turs was the only ordained caedan left in the infirmary now, his staff reduced to a few acolytes like Gonim and a couple female nurses.  All the other priests in Worlen had evacuated—those who hadn’t been killed when the temple was incinerated.  The old caedan had done his best for Gonim, covering his burned skin in a healing ointment that relieved some of the pain, and then bandaging him.  But the burns were too severe.  A nurse had given him a potion to help him sleep, but they had little healing potion to spare for someone so far gone.  Now Gonim’s head swam in a haze, the pain still with him, but somehow seeming far away.  Father Turs had prayed over him, but eventually he’d been forced to leave Gonim to suffer in private, while the father attended to others who could be helped.

Gonim was at peace with his life.  He had been devoted to the gods and his duties as an acolyte.  His only regret was that he would die before being ordained.  But no man knew what the Perfect Order held for him.  It was enough to revel in its beauty and accept one’s place in the pattern.

A light appeared to the young man as he contemplated this, drifting into his small room through the window, though it was nearly midnight.  Gonim’s eyes had difficulty focusing, but it seemed to him that a beautiful woman with raven-black hair was walking toward him from somewhere much farther away than the nearby plaster wall.  Her gown was made of rich silks, so sheer that they appeared to reveal much of her body, though cut in such a way as to not reveal as much as it seemed.  Precious gemstones adorned the hem and neckline.  The woman drew close and leaned down to look at him with a gentle smile, while her hand reached out to stroke his hair.  At her touch, all pain left his body.  Had she come to take him into death? Gonim wondered. 

“I am Imen,” the woman said softly, “the queen of the gods.  And you, my young acolyte, have pleased me with your self-sacrifice and devotion to us.”

The youth had no doubt that she was speaking the truth.  Never had he seen a human woman of such surpassing beauty!  Never had he been so overwhelmed by a man or woman’s mere presence!  She could be nothing other than a god.

“I wish to grant you a boon, my faithful warrior,” Imen purred, as she traced a finger along his cheek and down the side of his neck.  The flesh there was blistered and her touch should have been agonizing, yet Gonim felt nothing but pleasure at it.  “First, you must tell me… Are you willing to die for me?”

Gonim could imagine nothing nobler than to sacrifice himself for his goddess.  In a paroxysm of religious fervor, he attempted to speak, but he had breathed in some of the flame and his throat was too scorched to choke out even one word.  Imen seemed to sense this and she bent her face near his.  Then she blew gently into his mouth.  Where her sweet breath touched, his flesh was healed, and as he exhaled, Gonim found himself able to say, “Yes, Your Majesty!”

She smiled, her face seeming illuminated from within, as she straightened.  “Then you shall.  But not today.  There is much to be done.”

Imen stepped away from Gonim’s bedside and a stooped old woman Gonim hadn’t even known was in the room with them came forward.  The crone held a small rolled-up strip of leather, which she laid down on the edge of his bed and unrolled.  Fastened to the inside of the strip by small loops were the tools of a seamstress—shears, needles, rolls of thread, and measuring tape.

While Imen stood silently nearby, the old woman set about her business, humming an unfamiliar tune.  She chose a large needle and threaded it with a thread that shimmered and flickered as if on fire, and then she held it aloft in one hand, while her other slid Gonim’s blanket down to expose his naked chest.  She picked up the shears and with a motion so quick Gonim barely had time to flinch, she stabbed him in the chest with one of the blades and snipped his sternum open.

Gonim felt the cut, yet it was oddly painless.  Though he had difficulty raising his head, he was able to tilt his face so that he could watch as the old seamstress snipped open his chest cavity.  Blood welled up in the wound, but did not gush out or spray as he would have expected it to.  The woman set the sheers down on the mattress and slid her hand into the wound, where Gonim could feel her fingers groping…until a sharp, intense pain made him cry out.  He wondered if Father Turs would hear him screaming and come to investigate.  What would happen then?  Would Imen kill him for intruding?  Gonim bit down on his screams, fearing that possibility, but it was impossible for him not to grunt and whimper in agony.

Then the pain grew more and more severe, until Gonim’s vision began to grow dark and he thought he was going to pass out.  The seamstress withdrew his beating heart from his chest and held it up as if inspecting it. 

“Your Majesty,” she said in a dry, rasping voice.

Imen plucked a large ruby off the neckline of her dress and stepped forward to drop the jewel into Gonim’s open chest cavity.  Instantly, the pain ceased.  Gonim settled back onto the mattress and sighed in relief as a warmth emanated from the ruby and flooded throughout his body.  He almost didn’t notice, when the seamstress snipped the arteries of his heart and cast the organ aside. 

The old woman stitched his chest back together with the needle and fiery thread, but Gonim no longer bothered to watch.  The warmth flooding through his body spread throughout his limbs, easing all pain, energizing his exhausted muscles, and pooling pleasantly in his groin. 

When the seamstress had finished her work and left Gonim’s bedside, taking her tools with her, Imen extended her hand to the youth.  “Come.”

Hesitantly, Gonim raised his head off the pillow.  He felt no pain and, looking down at his chest and stomach, he could see no trace of the severe burns that were killing him just a short time ago.  Indeed, there was also no trace of what had just transpired—no blood, no cut on the skin of his chest, not even a scar.  Gonim sat up and put his bare feet on the stone floor.  Not only were there no traces of his injuries, but he felt stronger and healthier than he’d ever felt before. 

He stood and faced the goddess, who regarded him with a triumphant smile. 

“You are very beautiful,” Imen said, looking him over as she circled around him.

Gonim had been wearing nothing at all under the blankets, his kilt having been burned beyond saving, and he had stiffened a bit when the warmth flooded his groin.  This embarrassed him, but the goddess did not seem concerned about it. 

“The magics of Harleh Valley cannot prevent me from entering, if I choose,” Imen continued in a voice as smooth as warm honey, “but there are times when a subtle approach is best.”

She stopped in front of Gonim and placed her hand lightly upon his breast.  It felt hot against the young man’s skin and caused him to become even more aroused.  “This body is now my vessel and I will safeguard it.  Go to Harleh!  Be my eyes and ears, where others are now useless.”

Gonim was beyond being confused by what was happening to him.  He didn’t know whether to be elated or terrified by the goddess’s charge.  “Y-Your Majesty,” he stammered, “what shall I do in Harleh?”

Her laugh was the first unpleasant sound to come from her mouth since appearing to Gonim.  “That, my warrior, will depend upon what you find there.”

 
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Posted by on April 1, 2013 in Excerpt, Fantasy, Gay, Romance, Writing, YA

 

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Amazon frustrations

Dreams of Fire and Gods - FireSo right after my novel Dreams of Fire and Gods: Fire was released, last Friday, a problem cropped up in the Amazon listing.

Apparently, Amazon was confused by the fact that both Dreams and Fire were called Dreams of Fire and Gods.  Understandable, and I think the confusion stemmed from the way Dreams was first listed.  It was simply called Dreams of Fire and Gods, without mentioning the actual title, Dreams.

What ended up happening was that the new novel (Fire) replaced the first (Dreams), except that they kept the blurb for Dreams and replaced the cover with the cover for Fire.  They also moved the reviews for Dreams (or perhaps just kept them in place), so that they now looked like reviews of Fire.

My publisher stepped in and tried to sort it out and things seemed to improve… but not really.  Currently, it looks like you can buy Dreams for Kindle and Fire as a paperback, but they’re both connected, so they might still be the same book.

I’ve talked to my publisher again and they’ve talked to Amazon and we’re hoping the listings will be straightened out over the next 72 hours.  I certainly hope so.  I dread someone getting angry because they purchased the sequel to Dreams and ended up with the same book!

So please, if this happens to anybody, get in touch with me!  I promise we’ll get it straightened out!

 
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Posted by on March 7, 2013 in Fantasy, Gay, Romance, Writing, YA

 

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“Dreams of Fire and Gods: Fire” has been released!

Dreams of Fire and Gods - FireBook two of the Dreams of Fire and Gods trilogy, Fire, has been released by Harmony Ink Press!

It’s now available on Amazon, Barnes & Noble. and other reseller sites!

And of course I’m busily writing book three!

 
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Posted by on March 2, 2013 in Fantasy, Gay, New Release, Romance, YA

 

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“Fire” coming soon and some reviews of “Seidman” and “Dreams”!

Dreams of Fire and Gods - FireI received the final release versions of Dreams of Fire and Gods: Fire yesterday.  I think it came out great and I’m very excited to have it hit the shelves next Friday, March 1st!  I also can’t wait to get a paperback copy of it to hold and caress and put on my bookshelves next to Dreams and Seidman.

Speaking of Dreams and Seidman, I was also notified of two new reviews—one for each of them.

Rya at Hearts on Fire Reviews gave Seidman 4.5 stars, saying that “The stages of Kol and Thorbrand’s friendship are beautifully presented. I enjoyed their together-scenes a lot. There is so much innocence in their actions and the transition between hugs and kisses was cute, if I may say so.”

Dreams likewise received a 4.5 star rating from CrossroadReview on NightOwlReviews, saying “And let me tell you it is good! He build such a great fantasy world that you just couldn’t stop reading it! I just can’t get over how good this book was! I’m looking forward to more from this author.”

 
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Posted by on February 23, 2013 in Fantasy, Gay, New Release, Reviews, Romance, Writing, YA

 

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Free giveaway of “Dreams of Fire and Gods: Dreams” on Boys On The Brink Blog!

Dreams of Fire and Gods: DreamsThe Boys On The Brink Blog is hosting a free giveaway of Dreams of Fire and Gods: Dreams this week, so hop on over there and put your name in the hat for a free copy!

You can read an excerpt of the novel here.

And for those who missed it, Jamie Deacon’s terrific review of Dreams can be read here!

 
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Posted by on February 7, 2013 in Excerpt, Fantasy, Giveaway, Reviews, Romance, YA

 

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The Kingdom of Dasak – Food, Drink, Holidays & Culture

Despite the long title, I plan on keeping this blog post fairly short, to make up for the epic post I put up yesterday.  :-)

The challenge for Day Four of Sharon Bayliss‘s worldbuilding bloghop was to describe some aspects of the culture, such as foods, music, and how holidays are celebrated.  I was unable to complete the week of challenges, because my week suddenly got very busy.  But I’d like to post them anyway, for readers of the Dreams of Fire and Gods trilogy to refer back to.

The culture in Dasak is basically similar to medieval Europe and many of the of foods and drinks are the same: breads, sausages, ham, bacon, ales, etc.  Sael and Koreh share a pork pie in one scene and have kikid eggs for breakfast.  The kikid was described earlier—it’s a brown and white spotted game bird.

One common drink is stosum, which is an ale spiced with herbs that are are steeped in it after the majority of fermentation has completed.  It is a very popular drink and each tondekan (a city-keep and it’s surrounding lands) has their own characteristic flavors.

The people of Dasak are fond of ballads and one of the popular ones making its way around the kingdom at the time of the story is called The Farmer of Dussikh.  It’s described in book three:

Tanum sang a beautiful, tragic ballad that had been popular in the royal court about a year ago—one about a simple farmer who loved a nobleman.  Every day, the nobleman’s carriage passed by the farm, on its way between the man’s estate and the city, and the farmer saw the handsome face of the nobleman in the carriage window.  The farmer tried everything to get the attention of the nobleman, standing by the side of the road or riding alongside the carriage for a short distance on horseback.  But the nobleman was always preoccupied with his day’s business affairs and never looked up to see him.  Then one day, bandits attacked the nobleman’s carriage and killed his guards.  They dragged him into the road and were about to slash his throat and steal all of his gold and jewels, when the farmer charged out of the forest brandishing nothing more than a hunting knife.  He fought valiantly for the man he loved, killing all of the bandits, but he was mortally wounded in the battle.  As he lay dying, the nobleman saw him clearly for the first time and was struck by how handsome he was.  He held the farmer’s head in his lap and bent weeping to give him one tender kiss before he died.

Dancing is of course popular in the kingdom, with the peasants tending toward noisy, energetic group dances, with both men and women dancing together in lines or circles, while the nobles separate the men from the women.  Court dances are also much more staid and “dignified.”  Or, as the peasants like to say, “boring.”

There are a number of other cultural things I could go into, but I’ll just mention one more:  the game of gönd.  This is a popular gambling game with playing pieces of little wooden disks (known as “shields”) and little sticks (“swords”).  Bets are placed and the playing pieces are tossed onto a table or the floor, at which point the score is calculated from the way the swords and shields touch each other.  Someday, perhaps, I’ll write up the rules of the game.  :-)

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Posted by on February 5, 2013 in Bloghop, Fantasy, Gay, Romance, YA

 

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The Kingdom of Dasak – Religion and Magic

The challenge for Day Three of the Worldbuilding bloghop is to describe the religion and/or magic in your world.

There are two rival factions of gods—the Stronni and the Taaweh—and the type of magic practiced by their followers differs.

The Stronni

The Stronni themselves worship the Perfect Order, which is somewhat like the Norse concept of wyrd or fate.    They watch the stars for omens and guidance, and attempt to divine the path the Perfect Order wishes them to follow.  By doing so, they believe that they will be guided along the path of least resistance to achieve their goals.  The Stronni pride themselves on their ability to be rational, while at the same time they are ruthless and often pitiless to those who displease them.

The Stronni live high up in the mountains and humans are forbidden from venturing into the mountains or the foothills.  Those who do are never heard from again.  When the gods are particular angered, they cause immense balls of fire to rain down upon the valley.  They are not evil, but they are very strict and demand obedience and discipline from their subjects.

Humans who worship the Stronni

The Stronni demand that the humans build towering cathedrals in their honor, with large circular openings in the tops of the domes to allow the Eyes to see down into them.  Only when it rains are tarps permitted to be drawn across the metal arches that crisscross over the opening.

A priest of the Stronni is called a caedan, after the Stronni king Caednu.  (An acolyte is called a tadu, which is the Stronni word for “boy.”)  The caedan have little magical ability beyond lighting small ceremonial fires for services or lighting the incinerating blazes of funeral pyres.  The caedan believe that they are promised a position of honor in the Great Hall of the Stronni after death (see below).  In true “sun-worshiper” fashion, the Stronni males are always naked and their bodies are works of art, perfectly formed and decorated with glistening magical tattoos.  The caedan emulate the gods by wearing nothing more than a golden loincloth and decorating their bodies in similar tattoos.  They are permitted to wear cloaks in cold weather.  However, as imperfection displeases the gods, tadu and caedan are required to remain physically trim, at least until old age renders them unable to do so.

Sorcerers dedicated to the Stronni are called vönan.  They are exclusively male, as are the caedan, and specialize in fire magic and magic involving air.  They can cause massive destruction with firebolts and windstorms and they have the ability to fly.  It isn’t permitted for a vönan to be trained, unless he is attached to a noble house, and they are often used as weapons in battles between city-keeps.  Like the caedan, vönan have magical tattoos that mark them as “owned” by the gods—in this case, just a single tattoo of an eye on the top of the skull, which must be kept shaved.  As we see in book two (available in March), this tattoo fades away, if the magical link to the gods is broken.  Stronni magic must be invoked through chanting, so it is possible to disarm a vönan by preventing him from speaking.

Female Stronni are treated respectfully, but not equally.  They are required to wear gowns that keep most of the body covered, though diaphanous materials are permitted, and this is reflected in the culture of the humans.  Still, they do have power.  The queen of the Stronni, Imen, is a powerful sorceress, and women dedicated to her have the ability to see anything in the world illuminated by the Eyes.  They are called ömem, and they are the spies of the kingdom.  They also have the ability to cast healing spells to a small degree.  Generally, they mix up herbal formulas and link the spell to the potion.  Because of their abilities and their control of the elite assassins known as samöt (see yesterday’s post), the ömem are treated as untouchable.  They have no political allegiances and will sell information to the highest bidder, unless it pleases them to make a temporary alliance.  Not even the emperor dares punish an ömem for supplying information to an enemy, for fear that the Sisterhood will send the samöt after him or deny him information he needs in the future.

The Great Hall

The Great Hall of the Stronni is where caedan believe they will reside in the afterlife, but this is, at best, a misunderstanding.  Where this misconception arose is uncertain, but the Stronni themselves never specifically promised this, nor do they have any ability to grant an afterlife to the men and women who worship them.  However, they have no desire to disabuse their worshipers of this misconception, since it serves their goal of bringing order and perfection to the humans.  Peasants and farmers care little for the Great Hall, since they have no expectation of being anything more than servants there.

The Taaweh

The Taaweh were the original gods, before the Stronni attempted to drive them out.  They chose to disappear a thousand years ago, when they saw their human charges being driven to extinction by the Great War, but they have merely lain dormant.  Their worship didn’t vanish entirely, but the offerings left for them at sacred pools and the ruins of their stone circles have become little more than blind custom and superstitious attempts to gain blessings from unknown spirits.  The name Taaweh is similar enough to the Stronni word towe, which means “small,” that the misconception arose that there were tiny people living in the forests and streams.

The Taaweh have little structure to their society.  All are treated equally and in fact they have no names and no word for “I”.  When a Taaweh wants something, she is likely to say, “It is desired that….” rather than “I want….”  Only two Taaweh have names:  the Iinu Shaa (“Beloved Lord”) and the Iinu Shavi (“Beloved Lady”).

The Iinu Shaa is a frightening figure.  He is taller than a man and has two faces.  One face looks like a handsome man, but as a corpse, bluish and waxen, while his other face looks even more corpse-like, with blue-black skin and lips drawn back in a grimace from shrunken gums and elongated teeth.  The first face is called the Iinu Shaa‘s “kind face,” whereas the latter is called his “fearsome face.”  Both faces have hollow eye sockets in which can be seen a black so deep that it appears to be endless.  The Iinu Shaa wears mismatched pieces of armor taken from the battlefield, damaged and bloody, and it is he who comes to collect warriors who die in battle.  The peasants long ago distorted the name Iinu Shaa into “Neesha.”   If a warrior has been noble and virtuous, it is said that he sees the “kind face of Neesha” coming for him as he lies dying.  If he has been malicious or cowardly, they say that “the fearsome face of Neesha” will come for him.  Though what happens after that, nobody knows.

The Iinu Shavi is the opposite of her consort.  She is fair and beautiful and so full of life force that she positively shimmers.  It is impossible to kill her, as it is impossible to kill any of the Taaweh, but she is bound to the earth.  If she is separated from it, she loses strength.  Imen was clever enough to figure this out and arranged a trap for the Iinu Shavi, in which the old Great Hall was magically lifted above a deep chasm, while the Iinu Shavi stood in the hall, attempting to arrange a truce.  The Iinu Shavi fell unconscious and there she has remained, imprisoned, for a thousand years.  The Stronni built a second Great Hall for themselves, leaving the first to serve as a tomb.

Worshipers of the Taaweh 

At the beginning of the series (in Dreams), only one young man—Koreh—even knows that the Taaweh are still around.  Through his dreams, they teach him an ancient form of magic, which allows him to merge with the earth to escape detection and to move in the shadows.  Later, Geilin learns how to cause a seed to sprout magically and the Taaweh cause a forest to spring up on Harleh Plain.  They also have control over water, as Koreh demonstrates to Sael:

Koreh stretched out his other hand and cupped it, then tilted the pitcher until water began to flow into it. But the water never touched his skin. It pooled in the air above his palm until he stopped pouring and set the pitcher down. The water hovered above his outstretched hand, oscillating slowly back and forth until it settled into the shape of a globe. Koreh held it up for Sael’s inspection, grinning triumphantly.

Sael took a couple steps forward and reached out to touch it. Where his finger tapped the surface of the globe, ripples moved outwards as they would on the surface of a pond. But the ripples continued around, converging on the back of the globe to create a shadow of a fingerprint there, before bouncing back to the front.

“It doesn’t seem very practical,” Sael said skeptically.

“Well, just wait until I get better at it.” Koreh focused his attention and the globe began to flatten and expand until a hole opened in the center, making it resemble a wheel. Koreh caused it to rotate a few times before letting it return to the globe shape. Then he made the water elongate into a tube with a wide bulge at the base, until it so obviously resembled an erect phallus that Sael gave a startled laugh.

Koreh smiled and dumped the water back into the pitcher. He’d seen one of the Taaweh explode a ball of water into mist, but he doubted he could do that without getting them both drenched.

Unlike Stronni magic, Taaweh magic is quiet and doesn’t require anything to be spoken.  It all takes place in the mind.

The Tyeh-Areh

Unlike the Stronni, the Taaweh do have power over life and death.  When people die, they find themselves in the forest surrounded by the mist—the tyeh-areh “great mist.”  They soon come across a stranger—perhaps a kindly old woman, perhaps a child—who offers to walk with them.  As they go deeper into the mist, it grows thicker and closes in about them.  What is beyond the mist, no living person knows…but we find out in Book Three!  :-)

This has been an extremely long post, but tomorrow’s should be shorter. :-) And then we’ll finish up on Friday with an excerpt!

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Posted by on January 30, 2013 in Bloghop, Fantasy, Gay, Religion, Romance, Writing, YA

 

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The Kingdom of Dasak – History and Politics

The challenge for Day Two of the Worldbuilding Blogfest is to describe the history and politics of your world. So lets begin with the map again:

Dasak_color_map_2

Three thousand years ago, this kingdom was home to humans who worshiped the Taaweh. I’ll be giving more information about the Taaweh tomorrow, but for now let’s just say that they were the original gods. Then a rival tribe of gods called the Stronni moved into the valley from the northeast and declared war. After two thousand years of fighting, much of the valley had been laid waste and the human civilization had been reduced to small bands struggling for survival.

Then the Taaweh disappeared and the Stronni declared victory.  The humans were allowed to rebuild their civilization under the guidance of the Stronni, who taught some of their magic to their new charges, in exchange for obedience and worship.  (More on religion and magic tomorrow.)

The ruins of the ancient keeps were rebuilt and walled cities grew up around them.  These were ruled over by warlords known as dekan.  The dekan vied for power for several centuries, until the warrior king Khemed united what would later be called the West Kingdom, from the Great Chasm to the ocean, and forced the most powerful dekan in the east to pay him tribute.  He proclaimed himself emperor and the Old Empire was born (though of course, it was merely “the Empire” at the time).

Several generations of emperors followed after Emperor Khemed.  The empire expanded to include the East Kingdom, roads were built to connect the city-keeps, and the Emperor Salekh Bridge was built to span the chasm.  This both facilitated trade throughout the empire and strengthened the emperor’s hold on the East Kingdom.  It was the great achievement of the empire, along with the great temples built to honor the Stronni.

About a hundred and fifty years after the death of Emperor Khemed, Emperor Agrehn foolishly attempted to imprison the ömem—women dedicated to the Stronni goddess, Imen.  These women possessed the ability to see through the Eye of Atnu by day and the Eye of Druma by night, and they provided their services to the emperor and the rulers of the city-keeps for extravagant fees.  Agrehn thought that he could force them to serve only him, but the ömem retaliated against him.  They chose the best of his guards and promised them great power, if they would swear to serve the ömem and betray the emperor.  In one bloody night, Emperor Agrehn and all of his most loyal nobles were slain, and the samöt came into being—a deadly brotherhood of assassins magically linked to the Sight of the ömem.

For centuries, the empire was subject to internal conflict as emperors rose to the throne, only to quickly fall to coups or assassination.  Then in the eighth century after the Great War, the Salekh Bridge collapsed under disrepair and effectively cut off the East Kingdom from the capital, gü-Khemed, on the western shore.

The emperor was forced to appoint a regent in the east.  The vek, as the regent was called, soon became immensely powerful in his own right. Though the dekan have diminished in power over the centuries, they still rule their respective city-keeps (known as tondekan), paying tribute to the emperor in the west, or the vek in the east.  The Kingdom of Dasak is now effectively two kingdoms and civil war is threatening, as tension mounts between the emperor and the vek.

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Posted by on January 29, 2013 in Bloghop, Fantasy, Gay, History, Romance, Writing, YA

 

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Great review for “Dreams”!

Dreams of Fire and Gods: DreamsJamie Deacon just reviewed Dreams of Fire and Gods: Dreams and had some great things to say about it!

 
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Posted by on January 21, 2013 in Fantasy, Gay, New Release, Reviews, Romance, YA

 

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